Sunday, 17 January 2010

Money by Shunt

I had no idea what to expect, but judging by a few reviews, I was afraid I was going to be disappointed, especially after David Rosenberg's triumph, 'Contains Violence' at the Hammersmith Lyric last year.

However, they managed to pull off an immersive theatre experience that didn't make you, the audience, feel as though you were forced to participate but co-erced you enough to be exhilirating. My prescription? Go and see it. I attempted to explain it but I am still on a come down after watching it. It's scary and exciting in one breath, and contains a lot of relevance in a post-credit crunch society

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