However, they managed to pull off an immersive theatre experience that didn't make you, the audience, feel as though you were forced to participate but co-erced you enough to be exhilirating. My prescription? Go and see it. I attempted to explain it but I am still on a come down after watching it. It's scary and exciting in one breath, and contains a lot of relevance in a post-credit crunch society
Sunday, 17 January 2010
Money by Shunt
I had no idea what to expect, but judging by a few reviews, I was afraid I was going to be disappointed, especially after David Rosenberg's triumph, 'Contains Violence' at the Hammersmith Lyric last year.
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