Wednesday 21 January 2009

Exploring cyberspace

I've recently been researching cyberspace and the possibilities of performing within the "virtual" world of Second Life. Whilst becoming entrenched in a pile of books and journals, I started to ask how 'real' is digital reality? I came across a very interesting theory by Slavoj Zizek about the 'reality' of cybersex. If sexual contact is already phantasmic in the sense that the body of the other person serves merely as a vessel onto which we project our sexual desires, then cybersex surely serves the same function making it as real as any other kind of sexual contact.

This got my trail of thought going... If we act/ perform/ create in real-time in a different digital reality, then it is no less real than the physical or biological which we pin the word 'real' on to. I started to resent using the words 'real' and 'virtual' to distinguish between the physical world and Second Life.

However, I am slightly concerned that doing away with the physical body would strip us of the ability to subconciously perform identities through our body. For example, an embodied, engendered feminist performance, or performing culture through our physicality. Is it lost? Is creating new and multiple online identities immoral or does it create a new way of 'interfacing' with yourself?

And how do we define 'liveness'- the essence of performance art? Does it mean live-through-presence, or does it represent live-through-time-based-moments? I feel it could (and has already) start to divide performance artists in what they feel is essential to this umbrella term.

There are two sides of the debate- where a move towards 'body as information' represents a fear and loathing of the weak, mortal body and a quest to embed ourselves in the machine versus the fear of the omnipotence of the machine. But perhaps by representing our 'imagined selves' we do simulate a part of what we try to capture on stage- always playing this 'imagined other' who we never really are.

Second Life is relatively new in the performance art world, and I think its potential will be realised very soon. It will be interesting how it moves forward, and what that means in bringing its conciousness to the public forum.